Posts tagged “John Makepeace”
04/05/2012 No comments

Dorset maker Guy Martin opens up for Dorset Art Weeks

THE SCUPLTOR and furniture maker Guy Martin is taking part in Dorset Art Weeks every day between Saturday, May 26 and Sunday, June 10. To mark the occasion here is a piece about him first published in 2002 in a handsome little booklet produced as part of a project called TM1 (short for tenminusone). TM1 featured nine artists based in West Dorset, each of whom had a little essay written about them by Sara Hudston, although her name didn’t appear.

The scheme (as far as I can remember) had two aims. First, to try to promote the careers of individual artists. Second, to improve the economy of West Dorset by showing it to be an attractive, creative place – somewhere worth visiting and worth doing business.

The scheme was funded by West Dorset District Council, South West Arts, and the South West of England Regional Development Agency.

The whole project has now been almost entirely forgotten, and the TM1 booklets are extraordinarily rare pieces of printed ephemera.

Now, clearly I’m biased, as I’m married to Sara Hudston, but it’s long seemed to me that her short essays were excellent pieces of work that deserve to be re-published and read.

The first piece to reappear on this site was about Amanda Wallwork. Next up, after Guy Martin, will be Carolyne Kardia, who is also taking part in this year’s Dorset Art Weeks. 

Parnham College, incidentally, was just outside Beaminster. It was set up by the furniture maker John Makepeace, who now lives in Beaminster itself and, yes, is also taking part in this year’s Dorset Art Weeks. In fact, he pretty much started them, if I remember right, but that is another story. Jonathan Hudston

Guy Martin: A “beautiful thriftiness”

Good design should serve the needs of humankind and the interests of the environment, believes furniture maker Guy Martin.

Using renewable local materials and ecologically sound methods of manufacture, Martin produces pieces that reject market-led criteria in favour of the needs and desires of individual people. His entire philosophy of making is founded on his belief in the value of purity and integrity. Martin’s faith in sustainable practice is governed by a strong sense of spirituality and service as exemplified by vernacular craft communities.

A chair called Cathedral made by Dorset furniture maker and sculptor Guy Martin from ash and stripped willow. It has a rounded bottom.

"Cathedral" by Guy Martin. Ash, Stripped Willow.

For six years Martin was design tutor at Parnham College in Dorset. His time there brought him into contact with desgners and business theorists of international repute, inspiring change and a rigorous reappraisal of values that enabled him to develop a unified philosophy of lifestyle and artistic practice.

Bench made by the Dorset sculptor furniture maker Guy Martin from lime-waxed birch and stainless steel

Bench by Guy Martin. Lime-Waxed Birch, Stainless Steel.

All Martin’s woods are sourced locally from renewable supplies. Cultivated willow from the Somerset levels was one of his favourite materials but supply difficulties have prompted him to make greater use of ash thinnings. He harvests the ash himself, selectively thinning as an essential part of woodland management. This choice of material displays a beautiful thriftiness since these small diameter poles would ordinarily be wasted or burnt for firewood.

Martin’s awareness of environmental issues also influences his practice in the workshop. He avoids using adhesives or other harmful chemicals and never disguises his core materials with veneers. Embellishment is restrained by functionality, emphasising the essential honesty of every piece. The result is a quality product where function has controlled the form, but works in balance with the possibilities of modern technology and other small-workshop constraints.

Storage tower made by the Dorset sculptor and furniture maker Guy Martin from lime-waxed ash and stainless steel

Storage Tower by Guy Martin. Lime-Waxed Ash, Stainless Steel.

Although Martin’s work is rooted in traditional English methods and influenced by the historic precedent of the medieval craft guilds, there is nothing sentimental about his approach. He uses machine processes where necessary and is not afraid to let the effects show on the finished item. He rightly views over-emphasis on hand techniques as an irrelevant attachment to suspect notions of authenticity, rather than a properly informed craft choice.

It is a measure of Martin’s range and skill that his elegant and original pieces avoid parochialism and yet speak so distinctly of a particular rural area. A recent development is the inclusion of stainless steel, which has made his work less explicitly rustic and lent his structures added modernity.

Guy Martin: Brought up on a converted torpedo boat

Guy Martin was brought up on a converted motor torpedo boat moored at Hayling Island. He studied at Portsmouth School of Art and St Martin’s School of Art in London, where he took a BA Hons in sculpture. In 1984 he started a contemporary furniture design practice. From 1988-94 he was design tutor at Parnham College in Dorset, during which period he developed a strong interest in ecology and global environmental concerns.

He has since established his own independent practice in Dorset, making interior domestic furniture, as well as teaching and lecturing. He says: “Design is a listening process, a responsibility and a service and it should take account of the environment and its resources.”

Guy Martin & Dorset Art Weeks 2012

Guy Martin’s Crown Studios at Old Crown Cottage in Greenham on the B3162 near Drimpton in the far west of Dorset are open every day during Dorset Art Weeks from 10am – 5pm between Saturday, May 26 and Sunday, June 10. On May 31, June 1, June 7 and June 8 he’s also open from 6pm to 8pm.

Mr Martin is putting on a joint show with Anne Quick – number 190 in the Dorset Art Weeks (DAW) brochure.

“Please come and enjoy our studios, garden and home with a cup of tea,” says the DAW entry. But note: no wheelchair access.

For more information, call 01308-868122, email or visit his website at http://www.guy-martin.com

Anne can be contacted via email on or visit her website at http://www.annequick.co.uk

In total, 100o artists are taking part in Dorset Art Weeks at 360 free venues: http://www.dorsetartweeks.co.uk

Or look out for a free printed brochure (actually, more like a book these days): Tourist Information Centres normally have a good supply.

 
30/04/2012 No comments

New Dorset bench is A: throne? B: love seat? C: question mark? D: fun?

Or E: All of those things and more? The answer, of course, is E, certainly in the eyes of its makers – the team at Simon Thomas Pirie Furniture at Briantspuddle near Bere Regis in Dorset. The oak bench they’ve steam-bent and scorched is going to be installed in Dorchester’s Tudor Arcade, outside of Waitrose and Fat Face, at the start of May.  So how does Simon Pirie hope his creation will impress the eyes of its beholders and the backsides of its users?

He said: “I hope people will get a sense of fun out of it, I hope it will be visually stimulating, and I also hope it will spark conversation, because in a sense it is a conversation piece.

“It’s a practical piece of furniture with a few quirks, but it is first and foremost a conversation piece, somewhere people can meet and talk and people watch.”

In the video above Simon explains that the bench is partly inspired by traditional love seats, in which people sit side-by-side but back-to-back, so the bench is divided into a series of separate chairs.

Simon said: “The chair that you see as you walk down the arcade towards the supermarket will be face on towards you and the idea is that it will feel quite throne-like. The person who gets that seat is going to feel quite important because they are going to have the whole vista of the shopping arcade coming towards them. I’m looking forward to getting that kind of long shot down the arcade to see who’s got that prime seat.

“It might be me on occasions, I suppose.”

Simon Pirie trained in the 1990s at Hooke Park College near Beaminster in West Dorset. The college was set up by the internationally renowned furniture maker John Makepeace to encourage a generation of “entrepreneurs in wood”. Simon has been running his own fine furniture business for 12 years, until now working largely with individual clients.

The Dorchester bench is different. The result of a public art commission, it’s a significant new venture.

Simon said:  ”We wanted to create something special for this. I mean, we’re known as fine furniture makers. Public art is relatively new for us, and it’s an area we’re looking to expand into.

“This is the first piece that will actually go in situ, so it’s an important job for us.

“We’re working with architects and commercial companies rather than individual clients and that’s a little bit different for us, so it’s a groundbreaker.

“It also manages to encompass lots of other areas of interest, like steambending, like high-tech manufacturing techniques, and like scorching, so there’s lots of elements in there which are very exciting for us as furniture makers.

“And I guess the slightly quirky joke from my perspective is that, if you look at it from above, it’s actually in the shape of a question mark.

“So, there is that kind of question – What should it be used for? How can it be used? Hopefully it has that sense of fun about it, because you don’t want want to be too po-faced and serious.”

Simon said that he has always had a hankering to do outside furniture, and the chance to fulfill that wish in Dorchester has been gratifying.

“It’s our county town, it’s where local and regional government is based, so it’s good to do it in Dorchester.

“It’s a gem of a little town, it’s a beautiful place, and the arcade where it’s going to be the visual centrepiece is having a refresh.

“Despite the general air of gloom about the economy there’s actually quite a lot of optimism in Dorchester, there’s new projects and new buildings, so it’s an exciting place to be.

“It’s our local county town, six or seven miles away from our workshop; it feels very nice.”

Editor’s Note: I’ve been interested in Hooke Park College and people associated with it ever since I first went there about 18 years ago. Simon Pirie is part of the group of people who’ve spread out from there across Dorset… I made the video above with Stephen Banks (“Dorset Scouser“).

 
16/08/2010 No comments

Colin Varndell donates images for new Dorset Wildlife Trust calendar

I WAS thinking the other day about Colin Varndell, because I was trying to draw up a list in my head of excellent West Dorset people and organisations.

By excellent, I mean almost gratuitously obsessed with quality, and with the means and the skill to produce superb results.

The first individuals that came to mind were the West Bexington chilli growers Michael and Joy Michaud, the Beaminster furniture maker John Makepeace, the Bridport tiler Tony Bird of ASB Tiling, the West Milton cider maker Nick Poole, and the Netherbury wildlife photographer Colin Varndell.

Then I got distracted, and forgot all about it, until Dorset Wildlife Trust sent me some images from their new 2011 calendar, all given by Colin Varndell, and all – you guessed it – excellent. Really tremendous. See:

Dormouse, hibernating: January's image on Dorset Wildlife Trust's new calendar Wildlife Encounters. Copyright Colin Varndell.

Nuthatch, February's image on Dorset Wildlife Trust's 2011 calendar. Copyright Colin Varndell.

Otter: Pictured for September 2011 on Dorset Wildlife Trust's new calendar Wildlife Encounters. Copyright Colin Varndell.

Mr Varndell is a long-standing member and supporter of Dorset Wildlife Trust. He said: “Dorset is one of the richest counties for wildlife in Britain. If it is to remain so, it is the responsibility of each and every one of us, as custodians of this natural heritage, to protect, preserve and improve it for future generations. We can all help to achieve this by supporting the Dorset Wildlife Trust.”

In other words, and entirely reasonably, given his own generosity in supplying pictures, he wants people to buy the Trust’s new calendar.

Myself, I think that’s an excellent idea.

The calendar is called Wildlife Encounters and it costs £5. It’s available from Dorset Wildlife Trust at www.dorsetwildlifetrust.org.uk/calendar or call 01305 264620.

It’s also stocked by most Dorset Tourist Information Centres, including Bridport, Dorchester, Shaftesbury, Wareham and Wimborne.
07/06/2010 No comments

Woodland school plans new course and buildings

A VISIONARY scheme putting West Dorset at the forefront of architectural and environmental education is bursting with new life.

Hooke Park near Beaminster already boasts some of the most extraordinary buildings in Britain (see video), discussed by architects all over the world.

Now the Architectural Association, which owns the 350-acre site, has been given outline planning permission by West Dorset District Council to create many more unusual but influential structures.

There will be a range of experimental wooden buildings for students and teachers, including 12 accommodation units, a construction shed, a hall for lectures, exhibitions and events, a design studio, a seminar room, four offices, a replacement caretaker’s house, and dining and kitchen facilities.

The Architectural Association, the UK’s oldest school of architecture, is planning to use Hooke Park for a new graduate course called Design + Make.

Students will “seek to learn from local craftspeople with traditional skills in woodworking, boat building and construction. The aim is for a reciprocal knowledge-sharing relationship with the local community.”

Hooke Park’s history over the last thirty years has largely been forgotten in Dorset, but it’s fascinating.

It was, for a while, of global significance.

It sought to offer a model for 21st century lifestyle changes.

"Ace": Hooke Park. Photograph by Sam Bush, from his blog And in my hands a camera

It’s a place with a great capacity to excite. Quite coincidentally, the excellent Bridport photographic blogger Sam Bush visited there with friends just days ago. It was, he writes, “amazing… ace… easily the best fun I’ve had in ages.”

A brief history

It’s more than 30 years since the internationally-renowned Beaminster furniture maker John Makepeace first conceived the idea of a new kind of forestry. In 1979 he went on a trip to Longleat with students from his craft school at Parnham House.

Nearly all week, it rained.

They sheltered in an old Nissen hut, and worked with wood freshly cut from a neglected coppice.

Mr Makepeace was impressed by how quick and easy it was to make sturdy useful things, and he began thinking about what could be done with the enormous number of small trees thinned out from commercial forests, which were normally pulped, burned as firewood, used as fenceposts or just discarded.

Surely better uses could be found?

The Hooke Park project began in 1983 in a 350-acre wood near Beaminster as an attempt to teach Britain – and the world – environmental and economic lessons.

Six years later, Hooke Park College opened.

Scuplture by Andy Goldsworthy at the entrance to Hooke Park. The work was sponsored by the Dorset-based charity Common Ground and South West Arts. Photograph copyright Ian Capper, reused under Creative Commons licence.

"Goldsworthy created his sculptures from second-grade timber which had grown on a hillside where the land had been slipping for many years: the trees had bent to compensate" (Jeremy Myerson, Makepeace, 1995). Photograph copyright Sarah Smith, reused under Creative Commons licence.

Central to Hooke’s programme of research and development was the idea of living and learning in buildings that would – literally – grow out of the woods.

And so – for a while – they did. For example, the Westminster Lodge, spanned with thinnings and topped with grass, was funded by the Duke of Westminster’s charitable trust.

One aim was to provide new models for housing and village life in the 21st century, particularly in sensitive landscapes like those of West Dorset.

Another was to inspire and train a new generation of environmentally-motivated designers and entrepreneurs.

Some – like Richard Lee, famous for his shepherd’s huts – are still out there now (Mr Lee is based near Dorchester).

Shepherd's hut by Richard Lee from Plankbridge photo gallery.

Overall, however, Hooke Park College had a patchy record. Its running costs exceeded its income and it was wound up in the mid-1990s in complicated and sometimes acrimonious circumstances.

The Parnham Trust sought to run further courses, but eventually, in 2002, the whole site was acquired by the Architectural Association (founded by “troublesome students” in 1847).

A very exciting moment

The association now aims to resurrect Hooke’s original approach to building, with students and teachers using greenwood poles from the woods around them.

Hooke Park’s new director Martin Self has been busy up in London, but he wrote (in an e-mail) that he was enthusiastic about “a very exciting moment – now that the outline planning is in place and the new academic programme at Hooke is coming together.”

David Hodges, West Dorset District council’s case officer, said that council officers had been in discussion with the Architectural Association before it made the application that was recently approved.

He went on: “This approval will need to be followed by a series of individual applications (what we call the ‘reserved matters’) for the detailed designs of each building once these have been designed by the students before they can be constructed on site.  The council will continue to offer advice to the Architectural Association in making these reserved  matters applications at Hooke Park as the detailed designs come forward.”

The Hooke Park project was ahead of its time, but it’s been one of those West Dorset phenomena that has gradually spread ideas through the wider culture. Guy Mallinson, a graduate of Parnham House, recently appeared on BBC2′s Mastercrafts with his Woodland Workshop at Holditch over in the far west of Dorset.

As John Makepeace once said: “Now that energy, sustainability and employment are pressing issues, trees and timber offer new economic, social and environmental possibilities.”